Join Piglock Homes and his sidekick Doctor Bearson as they investigate the strange affair of the Dartymuir Dog…

The creak of harness heralded the arrival of the strangest conveyance Bearson had seen in a long time. It was a large four-wheeled cart or covered wagon, with high curtained walls behind which there could be discerned the outline of stout bars. There was about it the rich smell of some carnivore and occasionally the barred sides shook. The equipage was pulled by a team of four heavy horses, whose driver was a short massively muscled man with a multiplicity of tattoos. When the walls behind him shook, he spoke comfortingly in a dialect beyond the understanding of even Homes.
The newcomer drew his strange vehicle to a halt at a careful distance from the hobbled donkey, which, even so, flared its nostrils and would have brayed loudly had not Yore leaped from his seat and grabbed it by the muzzle.
“Can you back off a bit, or I’m liable to lose this beast and the cart into yonder bog.”
The tattooed gent carefully backed his vehicle away and Homes left the donkey cart in to converse with the newcomer in a low voice.
“What do you reckon our skinny friend is up to?” Yore breathed.
“Honestly? I have no more idea than you. You know what he is like. Cards clutched to his scrawny chest until the last second.”
Yore grunted. “Well I’m keeping my hand on my revolver just in case.”
Bearson said nothing, merely displaying the grip of his own revolver for Yore to see.
The sun was just lifting over the eastern horizon when Bearson felt, rather than heard, a sound similar to the one Homes had made the previous night. Almost at once the tattooed gentleman’s cart began to rock alarmingly and whatever was inside it started making eerie ululating noises that ripped apart the quiet of the morning air.
Homes showed his teeth. “Yore, Bearson. Hold your fire unless you are in mortal danger.”
“Aye, aye, cap’n.” Yore spoke sarcastically, but Bearson understood that he would obey Homes.
The noises from the covered cart were becoming louder and louder and the rocking seemed almost fierce enough to overturn the equipage. Before the carriage was altogether overset there came a sound as if the paws of some great dog were slapping on the ground and all eyes turned towards the sound.
“What is it, man?” Yore was heard to ejaculate.
“You’ll soon see.”
The creature that broke out of the high bracken was enormous, and tawny striped with black. It was only visible for a very few seconds before the tattooed gentleman opened a door in his wagon and the creature disappeared.
“But. But. But…” Yore spluttered. “That’s not a dog.”
“No. It’s a tiger. An orange, bouncing tiger.”
Yore ground his teeth. “Orange, bouncing ‘dog’ to the old man. I see. But how did it get here?”
“You are about to find out, I think.”
The woman who followed the tiger out of the high bracken was tall and carried a curled stock whip in her right hand.
At first, Bearson thought it was the woman who had driven them across the muir the previous night, but then he realised this woman was older, and harder looking although there was an obvious resemblance.
She glared at the two carriages.
“I’m looking for my pet.” This woman’s voice was harsh and her accent was transatlantic.
Homes bowed. “Your pet, madam?”
“Yes. The pesky critter has a habit of escaping.”
“And frightening people close to death?”
“I don’t know what you mean.”
“I think you do…”
She laughed, but it was a sound that tore at the throats of those who heard it. “Doesn’t a man who abandons his wife and child deserve a little fright?”
Yore cleared his throat. “The game’s up. Old Sleepytown died last night. So the charge is murder.”
The woman laughed and dropped her whip. Instead of turning back the way she came she ran into the jaws of the bog.
Yore made to go after her, but Bearson restrained him. “Leave her. That’s a mire out there. You don’t want to end your life sinking in stinking mud.”
“But she’s getting away.”
“She won’t get far,” Homes said sadly. “The waymarker poles have been moved so the safe path through the mire no longer exists.”
He stood at the edge of the unnatural greenness as the sun rose and burned away the mists from the muirland.
Yore looked at the tiny figure of the great detective and shook his great head.
“Churches la fem,” he said sadly, “churches la fem”.

And that is the end of The Affair of the Dartymuir Dog…

Jane Jago

An extract from  How To Start Writing A Book brought to you courtesy of E.M. Swift-Hook and Jane Jago.

To whoever is deluded enough to read this crap.

This is Jacintha Farquhar, woman of a certain age, and distaff parent of the delusional and currently incapacitated Moons. I never thought I’d feel sorry for the poor self-centred little twat. But I do. I actually hurt for him. He’s so bruised and battered that I have sent him away to lick his wounds in the fleshpots of Mykonos. I packed him off with a bag of clothes, a few smutty novels, and an introduction to a couple of gay friends who run a very popular bar there. As to what precisely happened to the sad little bugger, that’s his business. I’m not about to discuss it with a bunch of prurient wannabes. If he wants to tell you when he gets back into the saddle that’s his affair. But for now, mind your own…
If it was up to me, I’d stop this crap too. However, it means a lot to my battered son, so I have promised to keep it going until he returns from his sabbatical.
I have decided to write about life lessons, because if you lot really want to write anything decent you’ve got to live it first.

Life Lessons for Writers – One: Alcohol.

In almost every piece of adult literature you will find booze, and as a general rule boozing falls into one of half a dozen categories:

Polite drinking.
Social drinking.
Party drinking.
Getting pissed drinking.
Drowning the sorrows drinking.
Alcoholism.

So then, where are you on the scale? A sherry on the third Thursday of every month? Prosecco hangovers on Sunday mornings? A bottle of vodka in every cupboard in the house?

Whatever your own consumption, consider that as the strongest use of alcohol you should ever write about. Of course, many of you will be timid shits like my poor little bastard of a son, and will consider a glass of Fernet Branca on a sunny afternoon to be the height of decadence. But on the other side of your shiny little threepenny bit you will be wanting to write about drinking and roistering. Well. You bloody can’t….
If you want to write about a drunken orgy, bloody well find one (effing Google it) and go and get completely off your face.
In the same vein, if you really want to write about the miseries of a hangover, or the utter awfulness of drinking so much you vomit what feels like your toenails into the gutter, then at least have the frigging courage to try it out and see what it really feels like. My recipe for the first: a bottle of good red wine with your dinner, followed by at least a dozen cocktails, and four large brandies. To achieve the second, take recipe one and add a kebab and half a bottle of Bucky at the end.
When you’ve done that. And taken a week to recover. Then you can write something that will be at least recognisable as real.

Now piss off and get on with it, because, to be brutally honest, you lot are getting on my tits right now and I’ve a hot date with a half-bottle of calvados.

Next week: Hair pulling and brawls.

Jacintha Farquar, unfortunate mother of Moonbeam Farquhar Metheringham IV

There were around thirty men in all, talking in loud boisterous voices, their breath misting in the cold air, laughing together at crude jokes, whilst passing wine-skins from hand to hand. They had gathered in front of the central pavilion, where a clearing gave some measure of status and privacy to the impressive tent of their employer the caravansi – the owner of the caravan, its wagons, its slaves and much of its cargo. When Caer finally rode into the clearing, his check of the camp completed, one of the Zoukai called out:
“Here, Captain.”
Catching the wineskin, Caer let the warm liquid cut the dust of the day from his throat, swilling out his mouth and spitting, only then swallowing a single mouthful before replacing the stopper and passing it on. Then he nudged his pony forwards and moved amongst his men, sending four more out to join the scouts and a handful of others to support the pickets who were already guarding the outskirts of the camp. He wanted to be extra careful today. Then he moved on, talking briefly to each of the others as he passed: a word of praise here, a question there, advice and the occasional sharp reprimand, all delivered with an easy authority.
A sudden stillness, as sharp on the senses as any loud sound, made Caer turn towards the pavilion, already knowing what to expect. The flap was being held up by a slave girl and a woman had just stepped out of the shady, incensed interior. It was her appearance that had silenced the horsemen and Caer understood why. Alexa the Fair they called her on the roads and the title was well deserved. Caer had lived twenty-five years and had never seen a woman he thought more beautiful. Her mere presence was enough to draw every male eye and deprive a man of his next breath.
She was tall, very tall for a woman and slender with it – long necked, long limbed and lithe, almost boyish with narrow hips and small breasts that barely lifted the sheer satiny substance of the emerald robe she wore. Beneath the magnificence of her dark auburn hair, her face with its clear skin and high cheek bones lent her an ageless beauty. Her violet-blue eyes swept imperiously over the Zoukai and when they came to rest on Caer, he felt the impact as if she had reached out and physically touched his skin.
“I will speak with you now, Captain,” she said. Her voice was quiet, but her tone commanding. Without waiting for either reply or acknowledgement, she turned and went back into the pavilion leaving behind a subtle breath of incense.

From The Fated Sky the first part of Transgressor Trilogy, and the first book in Fortunes Fools by E.M. Swift-Hook.

Things are not quite how you might remember them in the 100 Acre Wood for Christopher Robin, Pooh Bear and their friends…

***** ***** *****

Jane Jago

They cannot understand us
As we watch them through the glass
Their cold eyes reprimand us
As they busily swish past
Yet those who stop to study me
Whose eyes don’t slide away
Are dangerous to what they see
Regarding us as prey
But still I watch and still we stand
And still the shutter clatters
Whilst all our hearts beat neath my hand
And fate so cruelly mutters
Yet hour by hour the work we make
Will lead us to our goal
For every frame the shutter takes
Steals something of their soul

Jane Jago

Image © Paul Biddle

Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the Gunpowder Treason
Should ever be forgot.

I do remember the fifth of November
When fireworks recall a plot
To blow up the whole bloomin’ lot

I do remember the fifth of November
When kids called ‘Penny for the Guy’
At the people as they walked by.

They’d make them before the fifth of November
From old clothes with newspaper crammed
Then sat in an old go-cart or pram.

But now we remember the fifth of November
As a day for fireworks planned
Displays both modest and grand.

But kids don’t make guys for the fifth of November
They no longer put up that cry
Instead ‘trick or treater’s come by…

Holla boys, Holla boys, let the bells ring.
Holloa boys, holloa boys, God save the King!
And what should we do with him? Burn him!

E.M. Swift-Hook

I am old. But I resent being parcelled as:

• A sweet little white-haired old lady
• Somebody’s grannie 
• A person who needs to be invited to Christmas Dinner in case I don’t cook. (On which point what about the rest of the year.)

I am not 

• miserable
• lonely
• prim and proper. 

I did not fight in the war and neither did my unlamented. 

So let’s unpick this. 

Old people were not put on this earth so you could patronise us.

We are here because we ain’t dead. 

And because we like life enough to hang on to it.

F**k you!

You can now have a collection of Granny’s inimitable insights of your very own in Granny Knows Best.

Join Piglock Homes and his sidekick Doctor Bearson as they investigate the strange affair of the Dartymuir Dog…

At the inn, Bearson was glad just to roll into bed, as was Yore, but Homes waved away their concerns.
“I shall smoke a pipe with our genial host before I make my way between the sheets,” he declared.
It felt like only minutes later, when Bearson was shaken from his sleep by an impatient trotter.
“Up. Old chap. Up. And be quiet about it. There’s evil afoot on the muir, and it’s up to us to stop it.”
Bearson groaned and looked at his watch. It was four in the morning. He groaned again, but knowing the futility of arguing with a determined Homes, he dressed quickly and crept out onto the landing. Homes waited impatiently.
“Bring the bag of breakfast,” he instructed, before going back into the room where Yore still snored.
Bearson fetched the linen bag and was back on the landing in time to hear a muffled scream from Yore’s chamber.
“I warned you,” Homes was adamantine. “Now get up and stop being a bigger fool than you can help.”
Bearson sincerely hoped Homes hadn’t actually bitten the inspector, although the probabilities leaned that way.
However he had been persuaded, Yore followed Homes onto the landing, and the great detective led the way downstairs. At the back of the inn, there was a small stable where a sleepy lad was busy harnessing a grumpy looking donkey to a small cart. Homes flicked the lad a shilling and Yore led the donkey out into the morning darkness. Once out of the stable, the donkey seemed to become angry and it put a good deal of force and determination into trapping Yore against the stones of the stable wall. The inspector pulled the animal’s ear down to his mouth and whispered something.
The donkey stepped back, and Yore smiled toothily – his good humour having been wholly restored by the exchange.
“Horseman’s Word,” he said and jumped onto the driving seat. “Where too Mister Homes?”
Homes and Bearson climbed aboard.
“We need to be where we stopped last night.”
Yore nodded. “I took note of the place.” He shook the reins and they were off.
If it had been strange to drive across the muir in moonlight, this ride in a creaking little cart, with Yore profanely deciding their route, was surreal. The weird light of false dawn lit a pearlescent mist and the donkey’s unshod hooves made very little sound as it plodded along.
Bearson would have been hard put to say where he was, but both Homes and Yore seemed satisfied when the cart drew to a halt. Yore set the brake, before hobbling the donkey and providing it with a nose bag of sweet-smelling hay.
In the half light Bearson saw Homes bare his sharp, yellow teeth in a feral grin.
“Break out the breakfast, old man, we’ve naught to do for a while but wait.”
Nothing loath, Bearson passed around thick ham sandwiches, slices of crumbly cheese and hunks of richly spiced fruit cake. They had all but finished their repast when Yore’s large ears twitched.
“Company coming,” he growled.
“I hope so.” Homes was at his most demurely irritating.

Piglock Homes and his sidekick Doctor Bearson will conclude their investigation into The Affair of the Dartymuir Dog next week…

Jane Jago

Bonjour mes braves,

It is one, Moonbeam Farquhar Metheringham IV. The teacher beloved of your hearts and minds. The author of the remarkable and much remarked upon science fantasy ‘Fatswhistle and Buchtooth’. The pedagogue on whose delicate prose depends your understanding of the literary arts. That happy man who breaks from the few moments of ecstasy this life will allow him to present you with the fruits of his mind and the essences of his labours.

Lesson 34: The Write Denouement

Thus far one has been leading you gently by the hand through the rose garden of the literary arts, providing you with the petals of perennial wisdom and alerting you to the sharp, tearing thorns that await the unwary novice as you struggle with your first stumbling steps into the wonders of writing.

Today though, one shall thrust into the meat of the matter, penetrate boldly into the underbrush with decisively strong and muscular intent. For this is the climactic moment of your novel and it needs to leave your reader breathless and fulfilled.

Ah yes, the denouement.

That moment when all becomes clear. That place to which one has been leading, through passages and parlance, the unveiling of understanding where one’s magnum opus finally brings the reader.

It is the climax if you will.

The crescendo when the conductor brings his baton crashing down and the horns blow, and the drums crash, and the strings wail. It is that place where you offer some reason for all that those who travelled stumble-footed through your works endured. That place where you choose whether to bring your reader laughter or tears, happiness or despair, completion or destruction.

It is your big moment. Treasure it. And write it from the bottom of your soul. Use words that drip with drama and exude emotion. Drench it delicious descriptors – all those admirable adjectives and adverbs you have been practising so assiduously. Pump up your prose, that your words are wrought with wonder. Spare not the syllables, for this is the place to prove your true literary worth!

If it is sad, make of it a tragedy. Ensure that it wrenches tears and painful sobs from your reader’s very soul. If it is happy, make it joyous and life-affirming, let it fizz through the bloodstream like champagne and uplift the spirit into ecstatic rapture.

I offer for you one humble exemplar:

When the doorway brought the golden one to his eyes, he felt tears of pain and anticipation sting at the back of his own orbs. Would he be sufficient that such magnificence even deign to notice him? Would he be able to speak around the thorny lump in his throat? Would the dampness of his palms give him away? And what was that hot and heavy sensation in his hitherto unfulfilled loins? He dropped his eyes in real fear, and did not see his destiny approaching him. It was not until a voice like unto nothing he had ever heard before bespoke him that he dared to raise his eyes. He found himself transfixed by a warmly golden gaze and his lips turned up into a smile as the golden one cupped his chin in long fingers and traced the contours of his mouth with the forefinger of the other hand.
“Why do you tremble, pretty one? I won’t hurt you. Much.”

And whether this ending is happy or sad I neither know nor care…

Study well my children.

Next time. Erotica.

Moonbeam Farquhar Metheringham IV

You can find more of IVy’s profound thoughts in How To Start Writing A Book courtesy of E.M. Swift-Hook and Jane Jago.

Caer sat on his pony looking at the dead body on the ground and wondering if he should send more scouts back towards the road, almost a day’s trek behind the caravan. This man had been alone, half-mad and no threat to the caravan, but others might even now be following the same path that they had taken from the road and for the same reason they had taken it: others who were scouts for brigands, bandits or bigger caravans than his own.
He spat in the dirt and narrowed his eyes as he looked past the file of wagons, ponies and people. It was late afternoon and his breath misted slightly in the air. The long cold winter was over, but in the barren Wastelands, spring was always slow to come. The air still carried a biting chill, even in the heat of the day and the distant peaks kept their mantle of snow and ice, tinged with crimson by the light of the huge red sun. Spring was having to claw its way free of winter’s greedy clutches so that Temsevar could bask in an all too brief season of warmth and growth.
The Wastelands were vast and magnificent. Here and there, standing proud and alone in the plain, like the lost sentinels of a forgotten age, were towering flat-topped mountains of rock, some so massive they were too big to cross in a day on foot. It was as though at some point in the distant past the ground had simply dropped away, leaving the high plateaux stranded above, like giant stepping stones, creating a two-tier terrain. If in the winter, these high grounds were the coldest and most exposed, in the spring they seemed always flushed with new vegetation before any managed to creep out of the more parched stones below.
Caer made his decision. With the work to be done, the four men he already had out scouting their back trail were all he could spare for the moment. He called to one of the mounted men who was riding with the caravan.
“Shevek, we are camping here.”
The man he spoke to wheeled his pony away and rode at a brisk pace towards the front of the train of wagons and animals, issuing sharp orders to make the night’s camp around the rocky debris beneath the steep cliff face of one of the high monoliths. Caer felt a familiar sense of satisfaction as those orders turned the straggling ranks of moving people, ponies and wagons into a brief flurry of chaos, before brightly coloured awnings, tents and pavilions sprung up from the chaos, like strange blossoms. Caer and his men rode through the quickly forming encampment, shouting instructions, solving problems, helping secure ropes and encouraging any who were slow to respond with the whips they carried curled in their belts.
In a remarkably short time, the caravan resembled a miniature town with streets and open spaces, stables, and pens. Fires were being kindled, children tending the animals as women kneaded dough and cut the vegetables for the evening meal. Toddlers screamed and got underfoot or rolled like puppies amongst the big, sharp-toothed dogs, which ignored them and begged for scraps with soulful eyes and then turned on each other snapping and snarling when an unsavoury morsel was cast their way.
Once the familiar routine was well established, Caer’s men guided their mounts towards the middle of the camp. The ponies’ short stubby ears, thick coats, wall-eyed glares and powerful necks, made them far from beautiful to look upon, but their split hooves could splay to grip surefooted even on snow and ice or could run fast on firmer ground. It was their broad backs which carried the burden of human traffic in both trade and war with a sturdy strength and agility which, for Caer, had a beauty all of its own.
The men who rode were as tough as their ponies. The older ones amongst them wore their hair long, stained red and tied back into a heavy braid, the greater length of the braid telling of ever greater age and experience. The youngest men had their hair shaved so close to the scalp as to seem bald. They were not even allowed to begin to grow a braid until they had served a year of apprenticeship with the caravans. All the men wore coats made from a brightly coloured heavy-felt cloth, over shirts with billowing sleeves, patterned skirted jerkins made from fleeced hides and plain felt britches which gathered loosely into calf-high boots. All were armed: every man wore a bandolier of wooden cartridge boxes over one shoulder and carried a crude pistol; one or two had a long-barrelled musket or rifled carbine, on their backs and each wore a long-bladed knife with an ornately carved hilt and whips hung looped at their belts.
These men were of the Zoukai, a brotherhood of warrior guardians, hiring themselves to protect the caravans which carried the trade of Temsevar. Named after the swift and ruthless, red-plumed predatory birds which hunted from the skies in these very wastes, they were bound by a strict code of honour which placed loyalty to their captain and their caravan above all else.

From The Fated Sky the first part of Transgressor Trilogy, and the first book in Fortunes Fools by E.M. Swift-Hook.