The Best of The Thinking Quill – XII

Bonjour my little love muffins,

It is one, the beloved and multi-talented Moonbeam Farquhar Metheringham IV, world-renowned author of the classic ‘Fatswhistle and Buchtooth’ and patient teacher who, via the medium of this ‘Thinking Quill’ seeks to inform, educate and excite – via the vulgar coils of the Interwebs  – the hearts and minds of a growing band of Readers Who Write.

Today, my Muse and I feel sportive and light and do gambol about in the water meadows of imagination in a harmony so perfect that to speak it is to mar its unsullied beauty.

Therefore, mes estudas, follow us quietly making your footsteps as gentle as the bleating lamb and as soft as the breast of the turtledove lest you dishonour the music of my life with your vulgarly large boots….  Ah yes, my children, follow in silence and  listen with care, for today we discuss the pinpoint of blue-hot flame that is literary erotica in all its fine forms.

How to Start Writing a Book – The Write Sex

It must be understood that the act of fornication, in its multiplicity of guises, is the engine that drives humanity to live out its mundane day-to-day existence in the hope that a glimpse, a scent, a touch, or a taste will donate to any given moment that sexual ecstasy for which it strives. Equally we must always take into account the sensibilities of our gentle readership and the rules that govern what may be said and what should only ever be hinted at.

We are, mes estudas, above the simply biological. We may not discuss the precise size and thickness of the male appendage, any more than we should even hint at the width/narrowness, hair/baldness of the female docking station. No. You may leave it to your reader to understand that tab A is most usually inserted into slot B (with occasional excursions into orifices C and D).

Your task as a purveyor of fantasy is to bring a flush to the cheek and a heaviness to the stomach of literature in such a way that the reader experiences those selfsame heats and twinges. A properly written scene of sexual tension should leave its reader panting lightly and susceptible to the merest breeze of sensuality.

Do not grasp your unfortunate victim by the genitalia and wrestle him to the ground with the sledgehammer blows of sexually obvious language. No. And again no. Rather scent the air with tender sensuality and slowly bring your reader to a climax only by the tenderest touches of the fingertips of perfect prose.

Build your scenes of human love with care, lest they tumble around your ears leaving you like a pubescent boy with damp pyjamas.

Oh yes, my students, who hang on my every word with the sort of open-mouthed excitement more usually generated by a pole dancer at an adolescent birthday party, lead your readership along the paths of sensual gratification by all means. But do so with the siren song of your creative juices, not by lassoing them with a string constructed of pubic hair and bodily secretions.

To finish this lesson. I offer a small extract from my own greatest work wherein our hero first feels the gentle tug of his feminine companion’s sensuality.

They came out of the desert into the fertile valley of the big river, just as the sun was dropping. Buchtooth kicked her camel until it knelt and leapt off the saddle throwing her clothing off as she ran towards the water.

“Come on Fatswhistle you ugly bastard, get off your frigging camel and get into this water. You smell worse than him.”

Fatswhistle followed his companion in a much more leisurely fashion. He was just removing his cracked leather boots when she threw herself into the water. Her back was broad and freckled and as she dived, the white globes of her arse were displayed to Fatswhistle’s suddenly interested gaze. He removed his clothing at a rather accelerated pace and hurried after her into the brown water.

She was singing tunelessly and washing her long carrot-orange curls when he waded over to her and sat down. The river mud felt like silk under his buttocks and he picked up one of his own feet and looked between his toes. He watched his companion from under his eyelids finding her heavy breasts surprisingly exciting as they dipped in and out of the water. He scooted closer and put out a tentative hand. She snorted and wrung the water out of her hair. Emboldened, he touched the freckled skin on her shoulder. She jumped and swore, dunking him under the water until he saw stars..


Farewell for now dear students!

Moonbeam Farquhar Metheringham IV

You can find more of IVy’s profound thoughts in How To Start Writing A Book courtesy of E.M. Swift-Hook and Jane Jago.

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