Jane Jago’s Drabbles – Three Hundred and Ninety-Four

“Papa. You have to fire Baba,” Eunice declared.

Her father looked at her.

“Why would that be?”

“Because she’s a Shinny. They are cannibals.”

“Cannibals? Wherever did you get that idea?”

“I read it on Scuttlebut.”

Papa raised his brows.

“Do you have any idea what scuttlebut is?”

“It’s the place where you go to find out stuff.”

“No. It’s not. It’s gossip. The word even means gossip.”

Eunice looked mulish. “Don’t be silly, Papa. If it’s on the web it must be true.”

“Oh child.”

He sent Baba away, afraid for her safety in the face of electronic lies.

©jj 2019

Coffee Break Read – An’s Story

An extract from The Long Game by Jane Jago.

‘… as it seems we have a while to wait I promised your wife I would tell you my story. But before I begin my part of the tale there are things I need to say about the thirteen houses, things that are secrets and must never leave these four walls.’ Her listeners nodded, so she carried on. ‘Many of the houses prize purity of line above anything. They marry cousin to cousin, and sometimes closer than that. This is, as anyone who breeds animals must know, not a good thing. The pure bloodlines of many of the families have been contaminated by inbreeding. There are idiots and deformed children who are quietly disposed of, but the inbreeding goes on. Consequently, the Neders are congenital idiots. The C’hin carry the falling sickness. Most of the Shaughnessy women are barren. The Frankish men are generally impotent. And the Schiapetti are just plain depraved. I could go on, but I’m sure you have the picture.’

‘My own story begins when I was fourteen years old. Until that time, I lived with my parents at Massimo Schiapetti senior’s quinta two days’ ride south of the city. Just after my birthday, some women came from the big house and examined me to make sure I was a virgin, and that I was physically ready to bear children. Then they took me away from my parents to the house. There were a dozen or so of us, all told, gathered from the Schiapetti holdings, and after we’d been at the house for a few days we were bathed and nicely dressed and then paraded in front of the master and three strange men. The master pointed out a redhead from the distrada, and the three men indicated an interest in two other girls, myself and a shepherd’s daughter. I later came to understand that the Schiapetti sold me that day. Sold both of us. My companion was about seventeen, and as blonde as a wheat field, with impressive breasts and a stoical temperament, I was tiny, white blonde and scared out of my wits. If I had not had that older girl with me I don’t honestly know how I would have managed. Her name was Breda, and as we were whisked across the country in a closed carriage, she explained exactly what was likely to happen to us. She made it seem bearable and told me it wouldn’t be forever. She knew of other girls who had been taken this way and were later returned to their families more or less unharmed, and with a gift of money.’
‘After what seemed to me to be an endless journey we were brought to a hunting lodge where there were about twenty girls ranging in age from seventeen to twelve years. We were there to serve the pleasure of Seamus Shaughnessy, and to bear him the children his well-born and well-connected wife could not. The housekeeper wasn’t unkind, but she did make it clear that there was no escape, and that we’d better please the master or else. We never asked what ‘or else’ was, we were too afraid. Seamus was by that time nearing seventy, and a life of dissipation had left its mark on him. I prayed that he wouldn’t want me, but he did. Myself, Breda, and the twelve-year-old were chosen. Then the young one disappeared. I learned many years later that she threw herself off the roof after her first night in the master’s bed. I guess I’m of a more pragmatic turn of mind as I managed to take Breda’s advice and concentrate on the prospect of a good breakfast while the old sot was fumbling about me. At the end of a fairly unpleasant fortnight he returned to the city and we waited. As it turned out we were both with child. Seamus was tickled pink and we were brought to the family’s estate by the great river to give birth. Lady Shaughnessy was also brought to the estate to await the delivery of ‘her’ children. She was, it turned out, a deeply maternal woman, who wanted babies to love and care for. She was even kind to us.’
‘I went into labour first, and a long difficult time I had of it. I was really much too young and too small to have a baby, but, fortunately for me, I come of tough stock and I survived. I only saw my daughter for a few moments before they took her away. My friend Breda’s son was born dead. The cord was around his throat, and the midwife they employed wasn’t skilled. Breda managed to creep into my room three days after my baby was born to tell me that she had plenty of good milk and was feeding my little girl, also that the family had decided to keep her on as wet nurse and then nursemaid. She told me that my baby had been named Anita, and promised to love her. With that I had to be satisfied. I never saw either one again.’
‘I was sent home after my body healed, with a large present of money. It was enough for my family to leave the quinta, and buy a small inn in a valley close to the Imperial highway. I went north to learn healing and midwifery, determined to protect women from the unskilled and ham-fisted ‘care’ that cost Breda her child and almost cost me my life. I spent the next twenty-plus years in hospitals and monasteries, biding my time until my youthful looks faded and I could return to the city and ply my trade.’
‘In the meantime, my daughter grew to be a real beauty, as famed for her gentle kindness as the loveliness of her face. She was, it is said, very much in love with a half cousin from a humble branch of her father’s family, but such a marriage for Seamus Shaughnessy’s only daughter was not to be countenanced. And when she was nineteen her father married her to the forty-year-old Massimo Schiapetti. It was, by all accounts a loveless match, although Massimo was kind enough to his wife, and pleased to find her fertile. A year after the wedding she presented him with a son, who they named Rodrigo: he died of influenza at the age of four. Two years after Rodrigo’s birth Anita fell pregnant again, this time she gave Massimo a daughter, but lost her own life in the process. I arrived back in the city in time to learn that I was a grandmother, and my daughter was dead.’ An paused for a moment and wiped her tears cheeks with her wrinkled old hands.
‘My granddaughter was name Anaya, and she inherited her mother’s beauty, but her father’s nature, growing more and more vicious and depraved as she grew older. She had a succession of lovers and was notorious for her treatment of her servants. When she was twenty-five her father negotiated a marriage with the Emperor’s only son. It was a politically splendid move, but on a personal level it could scarcely have been worse. She loathed him because he either couldn’t or wouldn’t satisfy her sexually, and he despised her because she was stupid and vicious. Even so, they remained married, and I oversaw five accouchements in which she presented her lord with six children. Five sons and Princess Ana.’
‘So there you have it. My daughter, conceived by rape, and married for politics. My granddaughter, conceived for politics, married for politics, and murdered for politics. And my great-granddaughter, also conceived for politics, but with half a chance of making a life of her own…’

Jane Jago.

Life in Limericks – Seventeen

The life of an elderly delinquent in limericks – with free optional snark…

 

I am old, which in turn makes me proof
Against all of the follies of youth
I don’t think that the net
Is the coolest place yet
Or that reading it makes it the truth

© jane jago

Jane Jago’s Drabbles – Three Hundred and Ninety-Three

Tom nursed Mollie through the ravages of the cruelest of wasting diseases. When he finally closed her eyes the rest of his life stretched empty before him.

His daughter turned up with a shivering puppy under her arm, and he snarled at her.

“What makes you think I want a dog!”

“I don’t think you do, but I promised Mum.”

So Chunky came to stay.

Tom awoke one morning to the memory of Mollie’s voice.

“We always wanted a dog.”

Tom smiled at Chunky and understood at last.

The only thing he could do for Mollie now was to live.

©jj 2019

Love Unto Death

She loved him so much, closing her eyes to his little vanities and the pinpricks of disrespect. He was, she knew, so ingrained in her heart that she would always forgive him. Even after a night when all she could do was cry, he only had to touch her cheek and the sun started to shine again.

She loved him so much. Feeling superior to her friends whose husbands were not the centre of the universe, she overlooked his meanness and his mistrust. 

When he began criticising her every move she accepted that she must be doing something wrong and tried everything she could do to ameliorate his disgust. She knew it was just one more storm to weather and kept her face turned towards the sun.

Only it didn’t seem as if he was going to come around any time soon. And it hurt her heart to see the contempt in his eyes.

One night, when he was ‘away on business’ she sat looking at the television through dull unseeing eyes, when a phrase leapt out of the screen and forced her to wakefulness.

‘Abuse doesn’t always leave bruises.’

She felt herself falling, and curled into a foetal lump on the rough tweed carpet where she fell prey to the cruel claws of the cold place in her chest where her too-trusting heart had been.

She loved him so much that when he returned from his tryst with his latest mistress he found her still curled on the carpet. He pulled at her shoulder with an impatient hand, only to have her lifeless body roll onto its back.

It seemed to him that he would never forget the sadness in her dead eyes.

©️Jane Jago 2019

Coffee Break Read – Ambiance

From Iconoclast: Mistrust and Treason, a Fortune’s Fools by E.M. Swift-Hook.

The building was huge. Even the elevator was a comfortably furnished room with ambianced views through false windows clearly streamed from the grounds outside.
Having reached an upper floor, the aide led him through a series of rooms which formed a corridor of adjacent chambers. These contained some kind of art gallery or museum, or most probably both, with real objects sitting on plinths and the ambiance set to reflect something of their original culture and history. It was impossible not to stare at some of the more interesting items on display.
“Var Sarava is a great collector,” the aide said, as Grim found himself standing, mouth slightly agape before a gorgeous mythological creature the size of his own head which had apparently been carved from a single, huge gemstone. He was impressed against his will.
When he was shown into the final room, the normality of it was disorienting after the opulence of the gallery. A very human scale and comfortable social room, with its focus where deep-cushioned chairs were set around a delicately inlaid table. There were two windows on adjacent walls, both framed with looping curtains, and showing very different views of the grounds. One wall had shelving with antique ornaments and beautifully bound old-style books. For a moment, as the aide quietly left and closed the door, Grim didn’t realise that there was anyone else in the room.
She stood perfectly still beside one of the windows. A petite and slender figure with softly blonde hair and a face that looked as if it had been flesh-cast from a mould, the sort of preternatural smoothness the extremely elderly achieved. She wore a blue garment, which could only be described as a robe. Its elegance was in its simplicity, its ornamentation in the way the colour was reflected, highlighting the brilliance of the blue eyes that watched Grim as he noticed her presence.
“Vor Dugsdall. I apologise for compelling you here to endure such a garish display of wealth. This was never my favourite home, but it is the one I am now, sadly, obliged to inhabit.”
Grim wondered how he was supposed to take that. He decided that face value was the best way.
“I could think of worse places to have to live,” he said.
A quirk of emotion danced in the dramatically blue eyes. “I am sure that is so.” She moved one hand and the room’s ambiance resolved itself from comfortable social area to plush business office. The curtains vanished to be replaced by neatly folded blinds, the inlaid table became smooth, the flooring changed from wood parquet to sleek moulded tiles, the shelving became a plain wall where art could screen and the ambiant colours shifted from warm browns and dark reds to cooler blues and black. The small woman walked with a very erect and slightly stiff gait across to Grim.
“Now you must try and convince me that I have made a good decision to involve myself in all this again.”

E.M. Swift-Hook.

Life in Limericks – Sixteen

The life of an elderly delinquent in limericks – with free optional snark…

 

I am old, so just please give me room
And stop handing me your doom and gloom
You are just such a bore
And I’ve heard it before 
Can’t you put on a less mournful tune 

© jane jago

Author feature – 3D SpecimAn by Julia Nest

An extract from 3D SpecimAn the first novel by award-winning screenwriter Julia Nest.

TWO DAYS UNTIL THE COUNTDOWN

Dave woke up earlier than usual. He glanced at the clock and remembered it was Saturday. That meant the alarm wouldn’t go off. There was nowhere to rush off to, nowhere he needed to be – he could stay in bed for as long as he liked.
But he couldn’t go back to sleep. The events of last night kept creeping into his head. He had to do something about them, at least think over what he had to do next.
Dave pushed his head back into his pillow and closed his eyes. He wanted to sleep, but he couldn’t. His mind was racing… Something had happened, and it kept playing in front of his eyes.
Every Friday the Board of Directors threw parties. They were all prime examples of a typical ‘overpaid consultant’ and instigated protocols, supposedly, ‘to strengthen corporate spirit’. However, they also became a way to weed out those who didn’t “fit in” with the collective ethos. Indeed a few brave souls refused to take part now and then, citing prior commitments or work-life balance. The Board deemed all such employees as ‘bad team players’ and soon they were asked, none too politely, to find new jobs elsewhere. Dave loved his job, and he didn’t want to lose it. He was a professional at what he did, and could just walk into another job but the issue was that Dave didn’t like change. He was comfortable. He’d got used to his colleagues. At least that’s what he thought.
He recalled the events of the previous evening, one of the Director’s assistants had approached him by the pool.
The party was in full swing, it was too early to leave and not late enough to jump into the pool. As part of the corporate camaraderie, usually one over-enthusiastic junior colleague would elect to do this fully clothed. The guests were drunk enough to be having fun, not counting their drinks or thinking about who was taking who upstairs, yet. Dave, however, knew exactly how many drinks he had has. After half finishing his second cocktail, he sat down and sprawled out on one of the deck chairs. Close enough to be considered part of the festivities but far enough away to have his own space.
For the first time in a long while he was actually enjoying himself. He’d managed to ditch an already drunk colleague who was trying to get him to drink faster and sidestepped the office ‘cougar’ who had been hunting him.  
Now he felt at ease. As carefree as he would at his own place but more relaxed as the alcohol finally started to flow through him. He liked his place, it was his sanctuary but it still felt lonely at times.
Even someone as solitary as he was needed company once in a while. The company of the possum, who was hiding in the bushes near the pool, sometimes was not enough.
And then Dave spotted ‘Assistant Director’ Bob, heading in his direction. Dave glanced left and right, hoping that Bob was not looking for him. But he was. Dave made an effort to smile, he started thinking of what he could say to make ‘small talk’ but decided he’d let Bob talk first, after all, he clearly had something he wanted to say.  
Dave called Bob ‘Pudgy’ Bob, behind his back, as he reminded him of the Pillsbury Doughboy. Pudgy was getting closer. Bob had an ‘evil’ squint in his eyes and his mouth was set in thin-lipped sneer…  Dave knew Bob envied him. He’d seen him watching him when he escaped the ‘cougar’ a woman that he knew Pudgy liked. He doubted that Bob would have refused her advances and would be upstairs with her right now if he could. But women didn’t want Bob, women didn’t like Bob. His bouncing belly, balding head and bread roll fingers were hardly a turn on. He was definitely the opposite of Dave. 

A Bite of… Julia Nest

Q1: Why did you choose to write science fiction rather than any other genre? 

I have always been curious about two questions: “What awaits us in the future?” and “What if..?” That’s what ultimately led me to writing sci-fi

Q2: What were the most frustrating and the most rewarding moments in writing your first novel?

I was afraid I couldn’t handle it. After all, before starting to write my first novel I only wrote scripts for TV. But I was afraid in vain: as soon as I started writing, I couldn’t stop. The most rewarding moments were consultations with world-famous scientists who are engaged in 3D bioprinting – I resorted to their help so that my novel is reliable in terms of the scientific perspective of the novel.

Q3: What is your favourite fast food and who do you most enjoy sharing it with? 

I cannot live without French fries. It’s cool to pack up with friends to watch a movie – and crunchy.

Julia Nest is an award-winning screenwriter. More than thirty of  her scripts been filmed so far. She always had a passion for books –  sci-fi specifically – and also for writing. Hence Julia’s first novel 3D SpecimAn. You can find her on Facebook and Goodreads.

 

 

Jane Jago’s Drabbles – Three Hundred and Ninety-Two

Something she had once thought of as self was fighting for breath, while those who kicked the broken body laughed.

“Whore,” the biggest said and spat into the blooded mess that might once have been a face.

“I think we’ve killed it,” another remarked.

The lights went out, and the men manning the cameras moved to ease their cramped limbs.

“Best yet,” the ‘director’ beamed, “but snuff movies do use up women…”

Those were to be his last words alive.

It really isn’t wise to kill and maim in a grove sacred to the forest gods. 

It makes them hungry.

©jane jago

Sunday Serial – Dying to be Roman XVIII

Dying to be Roman by Jane Jago and E.M. Swift-Hook is a whodunit set in a modern day Britain where the Roman Empire still rules. If you missed previous episodes you can start reading from the beginning.

As she wavered on the edge of tears there came a polite tap on the door. Boudicca stepped away from Decimus as he straightened his spine.
“Come.”
The Praetorian who came into the room looked about as shocked as it is possible for a properly hard man to be.
“Report, man.”
“Sorry dominus. Marcella Tullia Junius. We went to her apartment. There was nobody there. At least nobody alive. There was a dead servant, female, poison suspected, and two lap dogs.” The man stopped and Julia could see a muscle working in his cheek. He got himself together and carried on. “Two lap dogs. You know sir, them little balls of fluff. My mother has one, it’s a soft little thing. They was kicked to death.”
Julia could understand the soldier’s repugnance and gave him the ghost of a smile. He thanked her with his eyes before pressing on.
“We thought that whoever had taken the lady must have killed her dogs before abducting her. But it doesn’t seem as if that can be true. One of the neighbours saw her leaving. On the arm of a very well dressed man. Overheard her saying that all loose ends were now tied up.”
“Good man,” Decimus spoke kindly. “Cut along now and get yourself a big drink. Tell them I said.”
When the door had closed behind the obviously shaken man, Julia looked at Decimus.
“Cold culpa,” she said before pouring a cup of mead and draining it in one gulp. “One assumes,” she spoke carefully lest her voice shake, “that Domina Marcella had no more use for her lap dogs.”
“So it would appear,” Dai sounded just as sick as she felt. “And can anybody tell me why that seems worse than killing her servant?”
“I can,” Boudicca volunteered, “them animals was small and helpless and she will have petted and spoiled them until she turned on them. I’m doubting whether the servant was ever a pet and she must have known what sort of person her mistress was.”
Julia lifted one small shoulder and spoke softly.
“Indeed. I just don’t think we’ll ever find their mistress and that disturbs me almost more than I can say. But for now I have to go and make a long and complicated call.”
Dai offered her a conspiratorial look.
“You want me to come and hold your hand?”
“Tempting. But I won’t put you in the firing line. Himself is liable to fry my ears until he calms down.”
“Wait with me,” Decimus said with gruff entreaty, “I could do with another drink and somebody to talk to.”
Dai looked uncomfortable and Boudicca favoured him with a singularly charming smile.
“You are all right,” she said. “I’ve got work.”
She kissed Decimus and rolled out of the room. Julia followed her, trying very hard not to laugh at the men’s faces.
“Score one to you,” she said as the door shut behind them.
Boudicca laughed and clapped Julia on the shoulder with one meaty hand.
“You need not worry about Decimus. I’ll look after him.”
She headed for wherever, leaving Julia to make for the comms room and a secure line to the Praetor.

Jane Jago and E.M. Swift-Hook

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